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  <url>
    <loc>http://www.danaomalley.com/the-space-between-us</loc>
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    <lastmod>2015-12-12</lastmod>
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      <image:title>The Space Between Us</image:title>
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  <url>
    <loc>http://www.danaomalley.com/installation</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1599621166265-NGMBBTTMF49GHIQOJKFJ/how+old+are+you+eyedropper.jpg</image:loc>
      <image:title>Installation Images</image:title>
      <image:caption>Do You Have Kids? , 2020 9“ x 12” Oil pastel, magazine, acrylic, white-out correction fluid, pen, and watercolor on handmade paper made from recycled junk mail and office scraps Image Description: A bright orange-stained piece of paper features large text that spells out in thick white-out lines “What Do You Do With Your Time?” and “How Old Are You”. Scribbled in pen at the bottom of the page is text that reads “Get It” and “Do It All”. A large cut-out of a bald eagle swoops down the left side of the paper, ready to get-it-all.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1599452845308-RGDCMDQ6BE2EA2AML6YJ/grow+up+eyedropper.jpg</image:loc>
      <image:title>Installation Images</image:title>
      <image:caption>Grow Up, 2019 9” x 12” Acrylic on paper stretched on a recycled picture frame Image Description: A still life painting of two sunflowers that are reaching/growing upwards in an ambiguous landscape with a pastel-hued background. Text painted in an off-white acrylic paint reads “Grow Up”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1609645988934-4H7THA27Q5JR9KEQDBZH/portside.jpg</image:loc>
      <image:title>Installation Images</image:title>
      <image:caption>Portside, 2020 10” x 7” Acrylic, photo transfer, watercolor, and pen on the rough draft of a handwritten letter on paper made from office scraps to the NC DAQ (regarding methyl bromide regulations at the Port of Wilmington). Image Description: A torn, handwritten letter to the NC Department of Air Quality requesting immediate and safer methyl bromide regulations be set in force in regards to the log fumigation at Ecolab’s Royal Pest Solutions at the Port of Wilmington. Pressed on top of this letter is a bark-like photo transfer of the wood pellet operation near the shipyard near my house (e.g.piles of pine logs), with large acrylic text painted on top reading: “CLEAN AIR: YES, NO or the freedom to buy it”. Coloring of the letters is a toxic red, white, and blue.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1599452962608-EYY1LB4RGYEINFV5IB03/are+you+sure+eyedropper.jpg</image:loc>
      <image:title>Installation Images</image:title>
      <image:caption>Are You Sure?, 2019 9” x 12” Acrylic on paper stretched on recyled picture frame Image Description: A portrait of a woman in a bra—the subject’s head is turned toward their right, and her eyes look towards the viewer. It feels like a selfie. The subject is wearing glasses and the background is a millenial pink and rich magenta inky wash. Peach-colored, painted text floats in the background, and reads “Are You Sure?”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1609646558090-OCU3CZH02W0XTUOL30WV/white%25252Bumbrellaa%25252Beyedropper%25252Bwith%25252Bpaper.jpg</image:loc>
      <image:title>Installation Images</image:title>
      <image:caption>Healthy Lawn Analysis, 2020 9” x 12” acrylic, dye, collage, pen, plastic bottle caps, and lawn clippings on handmade paper made from junk mail Image Description: A collage of plastic bottle caps from gallon-water jugs, sorted into a grid-like structure with green rectangles. The green rectangles are filled with pen marks resembling grass/lawns, and outlined in white gesso. Inside each cap is a handful of lawn clippings dipped in toxic-looking green plastic paint. There is the shape of an exclamation point on the right hand side of the grid. A collage cut-out reads “healthy lawn analysis” and another reads “proactively address weed threats”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1609647791881-0P03GNZ8AOO58S5ZJCA0/fix%2Bit%2Beyedropper.jpg</image:loc>
      <image:title>Installation Images</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1609646390534-4WZ2NXGBIENXTJY9D2ZT/eat%2Byour%2Blimbs%2B%25281%2529.jpg</image:loc>
      <image:title>Installation Images</image:title>
      <image:caption>Earthlings, 2020 7” x 5.5” x .5” Acrylic, oil pastel, money tree leaf, Little Debbie packaging, and pen on handmade paper Image Description: This mixed media painting features a cut-out of two gingerbread people cookies from Little Debbie Gingerbread Cookie packaging. These two cookie cut-outs are sitting on top of an earthly-hued surface made of sienna/sap green/buff oil pastels layers, pen markings, and a money tree leaf. The edges of the paper, which have a rough and inconsistent deckle, are dyed bright pink.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1609299131835-2XIQ7PZIAK70SCDHXJHL/hibernation.jpg</image:loc>
      <image:title>Installation Images</image:title>
      <image:caption>Tracker, 2020 7” x 6.5” x .5” Twigs, colored pencil, collage, and packaging materials on handmade (beach) sandpaper on painted cardboard Image description: A textured piece of handmade paper with beach sand embedded on its surface is mounted on bright, yellow-painted cardboard. Lined up on the sandpaper is a row of thin sticks with buds. One of the sticks points down to a piece of the cardboard that was not painted yellow, revealing a P65 cancer warning. Next to the line of sticks is a bar code that is embalmed in clear, acrylic gel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1609106418071-JVCRO24J40SKAEN0HF2S/horizon+line+views.jpg</image:loc>
      <image:title>Installation Images</image:title>
      <image:caption>Buy the Waves, 2020 7.5" x 6" x .75" Acrylic, ink, magazine, styrofoam, and seashells on handmade (beach) sandpaper Image Description: A translucent blue/green ink horizon line divides a bright yellow acrylic foreground from a mossy green/blue/black acrylic background. A rectangular piece of styrofoam stretches lengthwise across the foreground. Collaged on top of this is a long magazine cut-out of a posed group of people wearing business casual clothes. The yellow paint of the foreground covers the collaged image so it barely peaks through, and on top of the yellow paint are three evenly placed seashells plopped into yellow/umber acrylic.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.danaomalley.com/works-on-paper</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-05-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1463425166720-83LUGQ7C14F4H4LW7P7L/IMG_9736.jpg</image:loc>
      <image:title>Works on Paper - Give/Take, oil on canvas, 14' x 4.5', 2016</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1463425166720-83LUGQ7C14F4H4LW7P7L/IMG_9736.jpg</image:loc>
      <image:title>Works on Paper - Give/Take, oil on canvas, 14' x 4.5', 2016</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.danaomalley.com/portrait-of-a-tang-of-brightness</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719627190996-6QU70EZFZMEW7ABVZ53O/key+side+resize.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>Flatter me skeleton key Mixed Media 12” x 12” x 13” 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719627190996-6QU70EZFZMEW7ABVZ53O/key+side+resize.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>Flatter me skeleton key Mixed Media 12” x 12” x 13” 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719195511852-1CJLIB2553ZR9HWGVD07/DSC05398key+1.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>Flatter me skeleton key Mixed Media 12” x 12” x 13” 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719193180129-VUBKCSHSV9YGK4CJTKP3/Copy+of+resize.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>Until we find out what we will do that is a little bigger than this Mixed Media 13” x 14” x 10+” (* with flowers) 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719194793882-PU06O5ZYUEOTCBPRP3BR/DSC05381+%281%29+resize+3.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>Until we find out what we will do that is a little bigger than this Mixed Media 13” x 14” x 10+” (* with flowers) 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719627995993-A58UNI70B9H4OBO5AJHH/cara+cara+orange+portrait.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>Portrait of a tang of brightness a Cara cara orange  on the precipice of absolutely nothing Mixed Media 11” x 11” x 6” 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719627055799-G9BXV24IXZB728E3KZHQ/downward+key+resize.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>Flatter me skeleton key Mixed Media 12” x 12” x 13” 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719627780048-TQM9CI37N01E36NG7TT7/leaf+botton+resize.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>Years pile into one dull feeling at the bottom of your coat liner that splinters and each piece becomes decades that you never want to end   Mixed Media 13” x 16” x 2” 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719627749418-8398FHDYOQV09NW3J13O/leaf+far+out+resize.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>Years pile into one dull feeling at the bottom of your coat liner that splinters and each piece becomes decades that you never want to end   Mixed Media 13” x 16” x 2” 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719630135629-7HLPUGO1IZZ93HW2TZ4S/DSC05372+rivulets+1+resize.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>You have always been a dreamer  not a professional one though  there is no reserve for dreaming so we melt in ice ages the rivulets lull us to sleep Mixed Media 11” x 12” x 3” 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719629081108-O0CYGSP3ZMDNQ7FTQEWI/DSC_4217%2Bcara%2Bcara%2Bfront%2Btall%2Bresize.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>Portrait of a tang of brightness a Cara cara orange  on the precipice of absolutely nothing Mixed Media 11” x 11” x 6” 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719627990423-S65QPEZIM1CA15WW9WC3/bug+top+resize.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>One Large Orange Ladybug (detail view) Mixed Media 13” x 16” x 1.5” 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719194771086-ZCZR7P46G23G515MQH6F/DSC05405+resize+up+close.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>Until we find out what we will do that is a little bigger than this (detail view) Mixed Media 13” x 14” x 10+” (* with flowers) 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719629962038-OVZVZ43G4YKE1YARZ7U2/DSC05404+up+close+grief+resize.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>Until we find out what we will do that is a little bigger than this (detail view) Mixed Media 13” x 14” x 10+” (* with flowers) 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719629945797-I6986B4O3IATPUFW6MWJ/DSC05279+leaf+bottom+resize.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>Years pile into one dull feeling at the bottom of your coat liner that splinters and each piece becomes decades that you never want to end  (detail view) Mixed Media 13” x 16” x 2”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719627834628-I2NDOJ0I311Z98B6LSC7/bug+far+out+resize.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>One Large Orange Ladybug Mixed Media 13” x 16” x 1.5” 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719628502008-JIYSHWWKMTCRBZ06JPLB/cara+cara+side+with+jenns+piece+resize.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>Portrait of a tang of brightness a Cara cara orange  on the precipice of absolutely nothing Mixed Media 11” x 11” x 6” 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719630216176-V2WTVRIS4CFL9WZP9Z59/DSC05373+quiet+front+resize+.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>You have always been a dreamer  not a professional one though  there is no reserve for dreaming so we melt in ice ages the rivulets lull us to sleep Mixed Media 11” x 12” x 3” 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719627078070-KIA8LPG2ZHTBW6LN7HK0/DSC05408+side+downward+key+resize.jpg</image:loc>
      <image:title>portrait of a tang of brightness</image:title>
      <image:caption>Flatter me skeleton key Mixed Media 12” x 12” x 13” 2024</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.danaomalley.com/isolated-meal</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719633774729-1F4VCC23T86ERHTL1PMG/Dana+O%27Malley_Mourning+What+We+Have+Gained_Acrylic%2C+ink%2C+paper+pulp%2C+ruled+paper%2C+and+watercolor+on+stretched+canvas_9in+x+12in_2022jpg.jpg</image:loc>
      <image:title>isolated meal</image:title>
      <image:caption>Mourning What We Have Gained Acrylic, ink, paper pulp, ruled paper, and watercolor on canvas 9” x 12” 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719633774729-1F4VCC23T86ERHTL1PMG/Dana+O%27Malley_Mourning+What+We+Have+Gained_Acrylic%2C+ink%2C+paper+pulp%2C+ruled+paper%2C+and+watercolor+on+stretched+canvas_9in+x+12in_2022jpg.jpg</image:loc>
      <image:title>isolated meal</image:title>
      <image:caption>Mourning What We Have Gained Acrylic, ink, paper pulp, ruled paper, and watercolor on canvas 9” x 12” 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719634011687-UCA7MNUX9U1K0X8AOV3W/Dana+O%27Malley_Isolated+Meal_Acrylic%2C+Styrofoam%2C+paper+pulp%2C+and+watercolor+on+stretched+canvas_+9in+x+12in+x+1in_2022+jpg.jpg</image:loc>
      <image:title>isolated meal</image:title>
      <image:caption>Isolated Meal Acrylic, foam, paper pulp, and watercolor on canvas 9” x 12” x 1” 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1719633804204-8YMY4RQNTIY6BHPP219D/Dana+O%27Malley_Waving+Budgets_Acrylic%2C+pencil%2C+and+paper+on+stretched+canvas_12in+x+16in_2022.jpg</image:loc>
      <image:title>isolated meal</image:title>
      <image:caption>Waving Budgets Acrylic, pencil, and paper on canvas 12” x 16” 2022</image:caption>
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      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecocsystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
    </image:image>
    <image:image>
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      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecocsystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1749901321540-Z7C442PWL9MXF4TE271R/Dana_O_Malley_Chair_Back+View_Resized.png</image:loc>
      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
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      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1749900433268-BSVGQCN31EA9WUW909XG/Dana_O_Malley_Bunny+Install+View+Towards+Stick+Piece_Resized.png</image:loc>
      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
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      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1749903259140-D9VVG9Y4EVF2FHOAYAC4/Dana_O_Malley_Trash+Side+View+No+Collage_Resized.png</image:loc>
      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
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      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1749902424419-44YBBKSWMJZZAFVHO2WA/Dana_O_Malley_Collage+and+Quilt_Resized.png</image:loc>
      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1749902453206-YW7RSOCS64OECKQEMHP1/Dana_O_Malley_Donna+and+Chair_Resized.png</image:loc>
      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1749903318430-R1GIDI4UER9UEXQAB1PW/Dana_O_Malley_Trash+Collage+View+w+Chair+Leg_Resized.png</image:loc>
      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
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      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
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      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
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      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
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      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
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      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
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      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
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      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
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      <image:title>hold on, I love you</image:title>
      <image:caption>Installation detail of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
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      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
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      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA. Installation views of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
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      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
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      <image:caption>Detail of modeling clay hearts given away at the opening reception of Hold On, I Love You at Pink Noise Projects.</image:caption>
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      <image:title>hold on, I love you</image:title>
      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
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      <image:caption>Installation view of Hold On, I Love You, a solo installation at Pink Noise Projects in February 2025. Hold On, I Love You explores early parenthood and navigating relationships with self, loved ones, strangers, ecosystems, and animals in today's world. Sometimes, it can feel like everything is burning and about to collapse. Our government continues to choose profits and bombs over people, sentient beings, and life-supporting habitats. This is nothing new. Where do we go from here? How do we talk, delve into the ideas, and agitate? What about the burnout that is expected to numb us? Support and resolve are key for the work in Hold On, I Love You. Paper mache forms teeter on edge while simultaneously lifting each other up. A chair is steadfastly off-kilter. Bags and towels are hastily stitched together into quilted shelter. A cement garden bunny finds new ears amongst a cache of crayons and modeling dough. Are they playing? Hiding? Hold On, I Love You is a culmination of work made as the 2025 Winter AIR at Pink Noise Projects in Philadelphia, PA.</image:caption>
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    <lastmod>2025-07-07</lastmod>
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      <image:caption>Dana O'Malley is an artist investigating the complicated juncture between nourishment and consumption. O’Malley works in Philadelphia, PA, and has shown her work in hallways and galleries throughout the United States including the Vine Arts Center (MN), Cedar Rapids Museum of Art (IA), Public Space One (IA), and Annmarie Sculpture Garden (MD). O’Malley holds an M.F.A in Painting from the University of Iowa (2016), a B.F.A in Painting from Rhode Island School of Design (2009), and was awarded the Mildred Pelzer Lynch Fellowship at the University of Iowa (2015-2016), an Arts Across Borders Grant (2016), and a North Carolina Arts Council Grant (2020).</image:caption>
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    <lastmod>2021-04-25</lastmod>
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      <image:caption>Bottleneck, 2021 8” x 11” x 2” Watercolor, acrylic, oil pastel, cardboard, plastic water bottle, and paper pulp Image description: Photo of an assemblage painting hanging on a white wall. The painting consists of paper pulp that is dyed blue and pressed into a quadrilateral shape. Sitting on top of this blue form is a triangular piece of cardboard, layered with blue oil pastel and acrylic. Glued on top of the cardboard and pushing off the edge of the painting is a empty crushed plastic water bottle. The water bottle is covered in transparent blue acrylic brush marks.</image:caption>
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      <image:caption>A Chance to Win, 2021 9” x 12” Acrylic, colored pencil, coupons, oak leaves, paper pulp Image description: Photo of an abstract painting on handmade paper that hangs a white wall. The painting incorporates crumbled dried oak and pieces of Burger King coupons into the surface. A large area of the painting is covered in a layer of thick, red-orange acrylic. The collaged text from a fast food ad reads “A Chance to Win” and is incorporated into the paper.</image:caption>
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      <image:title>Current</image:title>
      <image:caption>How to Weather a Persistent Drizzle, 2020 9” x 12” Acrylic, ink, colored pencil, sticker, laundry lint, paper pulp Image Description: A textured, off-kilter rectangular painting on handmade paper features a roughh but shiny (almost wet) gray surface. Laundry lint, and resulting hair, is embedded in the surface. On the top right corner is paper pulp covered in red/green/black colored pencil, as well as one thick impasto yellow brushstroke. Bordering the right side is a clear packaging sticker for a thermometer that reads 98.6F, and gray laundry lint.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1615671702801-F5OZ4DIZGBZV7S4WEK3J/Time+to+Clean+Up+this+Mess.jpg</image:loc>
      <image:title>Current</image:title>
      <image:caption>Where to Start?, 2021 Acrylic, ink, paper pulp, and rag Image Description: A mossy green painted rag blends into paper pulp</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1609469424696-6A5P0GI0ZY144RVS6Y0A/incubation+%281%29.jpg</image:loc>
      <image:title>Current</image:title>
      <image:caption>Incubate, 2020 6” x 8” x .5” Oil pastel, acrylic, ink, paper pulp, plastic packaging Image Description: A mixed media painting layered with muted oil pastel that reveals scratched away, vertical lines. At the center of the painting is a plastic bottlecap surrounded by acrylic paint and paper pulp</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1609128080969-IN04XPJRT4ASGAULLP5T/impression.jpg</image:loc>
      <image:title>Current</image:title>
      <image:caption>Last Impression, 2020 6.5” x 5.5” x .25” Acrylic, money tree leaves, colored pencil, beach sand, paper pulp Image description: A dark wave-like form envelops a circular impression left in the rectangular piece of handmade sandpaper, as well as two pressed dried leaves. Above this, and to the side, are colored-pencil- drawn-sunset-hues.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1619386990219-6M637V076RKAAHVKOKES/image-asset.jpeg</image:loc>
      <image:title>Current</image:title>
      <image:caption>Emergency Bite, 2020 6” x 6” x .75 Mask and to-go coffee lid on painted cardboard Image description: A small, compact painting features a blue disposable face mask streched over the bottom two-thirds of the piece. The cardboard underneath the mask is painted a glossy black. Placed on top of the mask is a coffee-stained to-go coffee lid, and above this the black cardboard is exposed. White correction tape lines travel up and down on the painted black cardboard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1609294946372-EDIM4RSUVIDIMI3E0RT1/payment+plan.jpg</image:loc>
      <image:title>Current</image:title>
      <image:caption>Payment Plan, 2020 9” x 11 Pen, paper pukp, and plastic bag Image Description: A list of expenditures written on lined paper made with a pen and ruler. The lines angle downward. The expenditures are written month-by-month, totaling $70-$100 each month and are interrupted by pieces of gray and tan plastic bag.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1631755551390-HRRN903GOZZ7PF7GANK5/O%27Malley_Dana_3.jpg</image:loc>
      <image:title>Current</image:title>
      <image:caption>Lost at Lunch, 2021 9” x 12” Watercolor, acrylic, oil pastel, frozen meal packaging, plastic wrapper, paper pulp Image description: Photo of an oil pastel painting on a white wall. The painting incorporates mossy greens and browns and flecks of yellow plastic packaging. In the lower middle section of the piece is a collaged cut-out of a frozen meal.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.danaomalley.com/new-page</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-04-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1619392217020-CN3ZQ9X0V55YEOYA1KJQ/Dana+O%27Malley_Image+05_Utopian+Fantasies.jpg</image:loc>
      <image:title>Archive</image:title>
      <image:caption>Utopian Fantasies, 2020 9” x 12” Photo transfer, acrylic, plastic bags, paper pulp Image Description: A photo transfer on rectangular-shaped paper pulp with plastic bag inclusions. The photo transfer features a floral-printed couch left outside on a street curb. The couch appears wet. Yellow brush strokes forming a couch-like shape are painted directly above the image of the couch.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1619389466901-URNBGJT7LJYXH3NB44Z8/OMalley_Dana_3.jpg</image:loc>
      <image:title>Archive</image:title>
      <image:caption>Self Peel, 2020 9” x 12” Plastic bag, dried cast iron plant leaf, Crest White Strips wrapper, razor cover, plastic seal, tea wrapper, paper pulp Image Description: Violet-tinted paper pulp in a rectaular shape features toiletry item inclusions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1619390104032-LOWVWWDW06HJ0V26929Z/OMalley_Dana_4.jpg</image:loc>
      <image:title>Archive</image:title>
      <image:caption>You Should Consolidate, 2020 9” x 12” Acrylic, ink, pen, coffee cup sleeve, image transfer, clothing tag, billing statements, paper pulp Image Description: Yellow paper pulp in a rectangular form featuresfragments of billing statements, a clothing tag, and a coffee cup sleeve, an image transfer of a woman taking a selfie in a mirror, and a Sofi loans ad surrounded by a frame of thick rainbow-marbled paint. Text incorporated into this assemblage reads “:U SHOULD” and “consolidate”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1619393369693-J7C58RKWQ6ZEHDENYHIF/Life%27s+a+b%25%24%23%25h%2C+John.jpg</image:loc>
      <image:title>Archive</image:title>
      <image:caption>Life’s a B*$&amp;h, John, 2020 9” x 12” Acrylic, magazine collage, ink, photo transfer, plastic bags, and paper pulp Image Description: Rectangular-shaped paper pulp features a painted, phallic shape protuding from a rectangular, shiny collage piece adhired with white paint to the paper. Behind this palic shape is a photo transfer image of the leftovers and dishes from a patio meal, in addition to collaged is imagery of old, colonial homes. Pen scribbles on the border of the piece, with doodles of golf balls write “it’s 5 o’clock somewhere”. Words collaged from a magazine include “Scottish golf courses…expensive bourbon….historic battlegrounds”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1619394243920-745J2YUSCAFS0MC6ZXHK/azalea+belles.jpg</image:loc>
      <image:title>Archive</image:title>
      <image:caption>Azalea Belles, 2020 Acrylic, ink, pen, magazine, bottle caps, dried leaves, sticks, ribbon, paper pulp. Side-note: Azalea Belles were teenage girls selected by the Cape Fear Garden Club to pose in historic gardens in Antebellum-era dresses during the Azalea Festival in Wilmington, NC up until this racist tradition ended in 2020. Image Description: Imagery incorporated into this paper pulp collage includes magazine photos of old colonial houses, the NC State flag held up by a charred twig, photos of pink azaleas, a swatch of sample gray house paints, and a cut-out of flashy white teeth from a man from a smiling local dentist. The center of the piece has a cut-out of the word “Preservation” from a local Wilmington-area magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1619395454607-4GEMM1MQBNHQ05IYPG15/Dana+O%27Malley_Image+07_Pizza+Beach+.jpg</image:loc>
      <image:title>Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1619395475941-BDM3TMQO4FCA1P4DMLWV/portside+eyedropper.jpg</image:loc>
      <image:title>Archive</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/52ae9a00e4b0291b4d2c0628/1619395500458-37P2R4Z31UJ5HJ9VK5AH/how+old+are+you+eyedropper.jpg</image:loc>
      <image:title>Archive</image:title>
    </image:image>
  </url>
</urlset>

